Initially criticized for its dark subject matter and graphic nature, Millennium would have undoubtedly taken heat in the post-Littleton era had the series not so thoroughly faded from the public eye. As it was, one episode in particular drew so much scrutiny during the second season that it warranted a disclaimer. The episode was "Anamnesis", written by Reindl and Maher. "There was actually

"There are consequences to that action and as a writer, that is my responsibility."

a moment when it looked like it might not air," reveals Reindl. "We had taken the Prayer Circle shootings as a model and wondered what kind of belief would make a kid do that." While the episode's larger themes revolve around a group of high school girls who experience a vision of the Virgin Mary, the episode opens with a school shooting set to the tune of Patti Smith's "Dancing Barefoot.” "Anamnesis" originally aired shortly after the 1998 school shootings in Jonesboro, Kentucky, and in light of a censorship-happy America still recovering from the Columbine High School massacre, Reindl does not expect the episode to air in syndication. She is far from pleased: "The thing is, it isn't gratuitous violence at all. There are consequences to that action and as a writer, that is my responsibility.

"I find it interesting that whenever we have this sort of tragedy it's immediately movies, TV and guns that get blamed," she continues. "Without knowing the specific details of the lives of those kids, I would have to look to the parents first. It seems like there's a movement in this country to absolve parents of any kind of blame in these cases, which to me seems ridiculous. The schools, the government and the entertainment industry are not supposed to be raising these children. I see parents taking very small children to violent movies. That is not my responsibility; it's theirs." However, far from being unconcerned with the issue, Reindl instead embraces an approach both pragmatic and principled: "I think that kind of responsibility is something that those in the entertainment industry should have on a personal level. I am responsible for what I do but not for the industry as a whole." She adds: "If the audiences didn't want sex and violence, it wouldn't be out there because it wouldn't be making any money. So blaming the industry, which is a business and not an art council, on what they release is hypocritical."

"Anamnesis" also drew notice from Millennium fans due to the fact that it was the only episode not to feature series' protagonist Frank Black, instead focusing on the characters of his wife Catherine and Millennium Group candidate Lara Means (Kristen Cloke). Originally conceived as an episode to relieve the busy Henriksen, "Anamnesis" gave Reindl and Maher the opportunity to flesh out the show's female leads. "The more we worked on the story, the more apparent it became that Frank didn't even need to be there," she says. "We didn't want to even give the hint that Catherine couldn't do something on her own. After all, she was introduced as a professional, smart woman and we wanted to show her and Lara working together as people and not as women who were subservient to the male lead. We actually got some feedback, from a woman, who wanted Lara and Catherine to personally square off about Frank. I'm glad we didn't do that."

While an episode featuring exclusively female leads is an anomaly for Millennium, Reindl and Maher's presence on the nearly all-male 1013 Productions can be considered something of a rarity in itself. As one of the growing number of women taking on traditionally male-dominated roles in genre work (see related story), Reindl embraces a gender-neutral philosophy: "I remember, a few years ago, Chris Carter being put on the spot when he was asked why he had no female or minority writers. He said he just hadn't read any he liked. That caused an even bigger furor, which is unfair, I think, because how do you answer that question without getting hammered? I don't know how they choose writers at 1013 but I've seen this happen elsewhere. You'll find that you sometimes gain entrée because the show runner is told that he needs to hire women. I don't like the idea that people are getting jobs simply because they are women but what I like even less is that they are being excluded for the same reason. So I think it's a problem either way."