EXT. JUNGLE - DAY

Nothing but brush.  O'Brian, Suarez, Anna and some other armed
Marines crash into FRAME. They call May's name as they go.

ANGLE:  Suarez emerges from the jungle, spots a single set of
footprints leading up an immense black sand dune.

			SUAREZ
		Over here!

The others join him, they start up the dune, following the
footprints, weapons up and at the ready...  Finally they reach
the crest.

They stand at the top of the dune, next to the large black granite
rock, looking down and what they see puts a look of shock on their
faces.

			O'BRIAN
		Anyone else seeing this?

WHAT THEY SEE... below them, in a clearing of the dense jungle... a
CLASSIC UP-SCALE SUBURBAN TWO STORY HOUSE complete with a lawn,
mailbox, and white picket fence.  No road leads to it.  Nothing but
sand around it.  As if it fell from the sky.

O'Brian, Suarez, Anna and the Marines reach the bottom of the dune
and cautiously head toward the perfectly manicured front lawn of the
house.  As they get nearer, they hear MUSIC, wafting faintly toward
them.  Chet Baker, the 1954 recording of My Funny Valentine.

			CHET BAKER
		My funny valentine, sweet comic
		valentine, you make me smile...

They climb the stars onto the front porch  Nice and homey.  Wicker
chair and tables.  A sweating pitcher of lemonade and two glasses on
a tray.  Electric fan.  A glider swaying softly in the breeze as if
someone had just left it.

			O'BRIAN
		Anyone here..?

O'Brian walks slowly forward, weapon ready, sees a record spinning on
an old fashioned record player.

			CHET BAKER
		Stay little Valentine, stay, stay, stay...

As he reaches it, the needle sticks on the one word.
	
			CHET BAKER (CONT'D)
		Stay, stay, stay, stay

O'Brian lifts the needle off the record.  Silence.  He looks out to
Anna, waves her forward to join them when the screen door to the hour
behind them abruptly opens with a screech of hinges.

			SUAREZ
		May?

May (who they were searching for) sets out onto the porch.  She
smiles at them.  Suarez steps forward to her, O'Brian right behind
him.  Anna approaches up the stairs.

			SUAREZ (CONT'D)
		What are you doing here, May?

			MAY
		(serene, childlike)
		This is my parent's house.
		The house I grew up in.

			SUAREZ
		How did you find it?

			MAY 
		That was my dad's favorite record,
		it always skipped right there.

O'Brian picks up an old magazine from a rack near the wall:  all
circa 1987.  He shows it to Suarez.

			SUAREZ
		What the hell is going on?!

A PHONE RINGS.  Everyone jumps.  Another ring.  An old black phone
on a small table by the wall next to a wicker chair and a rack of
magazines.  They look at each other.  Only May, who sits on the
glider, seems untroubled.

The phone keeps ringing.  O'Brian picks it up.  He listens, a slight
BREATHING on the other end but that's all.

			O'BRIAN (INTO PHONE)
		Who is this?

			VOICE ON OTHER END OF PHONE
		This is, this is, this is your house.

			O'BRIAN (INTO PHONE)
		Tell me who you are.
		
			VOICE ON OTHER END OF PHONE
		This is your house.

The phone goes dead.   O'Brian slowly sets it down. Follows the phone
cord to the wall plug, then follows a phone wire that runs up the
wall, across the porch roof and on out to the lawn to a telephone
pole by the picket fence.  He walks to the bottom of the pole, looks
up and sees the phone line dangling.  Not attached to anything...